Pride And Prejudice - Review

Review originally posted at www.suzygoessee.com
Venue: The Genesian Theatre (Sydney NSW), Apr 26 – Jun 7, 2014
Playwright: Simon Reade (based on the novel by Jane Austen)
Director: Owen Gimblett
Actors: Jena Napoletano, Chris James, Timothy Bennett, Shane Bates, Christopher Butel, Camilla Vernon

Theatre review
Simon Reade’s recent update of the Austen classic is a witty, swiftly-paced adaptation that caters to today’s impatient audiences and our short attention spans. Scenes are short, and humour is planted at every opportunity with just enough subtlety. The Bennett parents especially, are written with an upbeat playfulness that could provide enough comedy for any viewer who might be less inclined towards old fashioned romance.

Timothy Bennett plays Mr Bennett to excellent effect. He is funny, warm and charming, with a confident demeanour that establishes him as the most proficient performer on stage. Bennett’s comic timing is strongest in the cast, and his every appearance is keenly anticipated. Jena Napoletano shows good commitment as Elizabeth Bennett. She gives her role a delightful presence, and works well with other members of the cast who generally suffer from a lack of experience. It is unfortunate that more roles are not taken up by stronger actors, as the script clearly shows great promise.

Notwithstanding the amateur standard of some character portrayals, the Genesian’s Pride And Prejudice is blithesome and enjoyable. It may not live up to our own imagined versions of the much-loved novel, but it is certainly able to give more than a little enchanting reminder of our endearment for sweet Elizabeth and her Mr Darcy.

www.genesiantheatre.com.au

Daisy Pulls It Off - Review

Reviewed by Regi Su

Just a short walk from Town Hall is a quaint little church, a late nineteenth century sandstone chapel which upon first appearance, is nothing less. That is, until you walk inside where lo and behold, you’ve stepped into the arms of a small but grand theatre. The stage is rustic, the auditorium seats are deep red and the whole theatre experience is intimate and homely. The Genesian Theatre has been so since 1954. From the 18th of October until the 16th of November, the Genesian Theatre hosts the play “Daisy Pulls It Off”.

When reading the synopsis, I gathered the preconception that this play would be not unlike “St Trinians”; the coming-of-age story following a middle class school girl in her plight to make a name and prove her worth as scholarship winner at Grangewood School for Girls. The play is archetypal in the sense that it’s set in a British boarding school, the plots are foreseeable and it covers Dickensian themes, like the importance of blood or good heritage. The story itself was not necessarily original.

In saying this, however, I was pleasantly surprised by the way The Genesian produced this play. I’d like to give credit to either the playwright, Denise Deegan, or the director, Mark Langham, for their excellent stage directions and comic timing. I believe it would be very difficult to script or direct helter-skelter comic timing. The play was very well choreographed and teetered on the edge of satire in sending itself up.

It did so only because each of the actors gave more than 100% effort to their roles, the passion really shone from each of them. It was because they played their characters with great conviction and overwhelming confidence that I began to laugh along with the outrageous shenanigans of the plot. Rather than taking themselves too seriously, the whole production was rather relaxed and this made me, as an audience member, quite comfortable.

I thoroughly enjoyed the production. The set design and props were highly appropriate. More so in the second half than the first, I found myself appreciating the clever and sparing use of such props. I’d like to commend all the cast members on their tremendous effort in holding together such a long play with quick wit, fast dialogue and effortless British-isms, as well as their ensemble performance as a whole.

Lastly, a quick side note of admiration for La Kutchina, a nearby café/restaurant. I had wandered up to The Genesian a little too early and needed somewhere to hide away out of the bitter wind for a while. La Kutchina opened its doors with warm hospitality, excellent coffee at a good price and complimentary homemade shortbread. Sitting in their deep arm chairs, I felt welcomed and not a pest at having to bide my time before the theatre opened. I would definitely return to try one of their main meals before a show at The Genesian.

The audience roared with laughter in all the appropriate times of “Daisy Pulls It Off” and I feel that audience enjoyment and engagement is paramount to the success of a performance. There weren’t as many in the audience as I hoped there’d be and I’d like to see more people appreciate this amateur theatre in their future productions.