Hotel Sorrento by Hannie Rayson - Review

Hotel Sorrento is playing at the Genesian Theatre until 22 February.  The Genesian is a little gem of a theatre right in the heart of the city.
Hotel Sorrento is a simple story of three sisters who re-unite in the family home, Sorrento in Australia. One of the sisters Meg has just been nominated for the Booker Prize for her latest novel 'Melancholy'. She said it wasn't autobiographical but as we learn as the play goes on it does reflect her own life.  Meg, has been living in London with her English husband, Edwin. The conversations around the differences between the two countries certainly made huge sweeping and very generic statements. As an Bristish ex-pat I am sure some of them were put in the play just to have a dig at the Poms.  For instance, when Edwin goes to Australia, he is certainly portrayed as the pompous Brit.  The three sisters have a secret about Hilary's husband who was killed ten year's earlier, though as they never discuss his death, Hilary is unaware of the real truth. 
There is a tragedy at the end of Act 1, but what I didn't understand is why Hannie Rayson didn't make more of it in Act 2. When you see the sisters you would have thought that they would have been in mourning. I first thought that maybe a considerable amount of time had lapsed, but as the Act went on I realised it was only a week later!
The play has the theme of loyalty particularly to country, which does come across very strongly. There is a fair bit of humour in it too, which helps lighten the mood and keep the audience interested.

The play, I would image is quite a headache for the director (Shane Bates) as there are many very short scenes. The timing of this production was good and I can see how important it was to get this right. The set was kept fairly simple, making it easier for the scene changes. There were a few issues which could be easily improved upon. One was the kettle, it is an electric kettle but the sound effect was one you put on the stove! The plastic fish, I almost laughed out loud when I saw it and I don't think it was meant to be funny! Also, when Marge is painting if she actually had some paint it might help Lynn Turnbull Rose look like she is actually painting.
The three sisters - Meg (Melanie Robinson), Hiliary (Sarah Purdue), Pippa (Gemma Munro) were very strong in there roles as was Oliver Beard, 15 years old, who played Troy.
Go and see it, see what you think, to find out more go to - http://www.genesiantheatre.com.au/

(Photo: Mark Banks)

Murder on the Nile - Review

There is nothing like a bit of Agatha Christie on the stage. Yes, the scripts are a little outdated now,  I am talking about the dialogue more than the actual plot, but still it is always entertaining.  There is a bit of humour, romance and suspense, what more could you want?
Murder on the Nile is playing at the Genesian Theatre until 5 October. It is an amateur production, but as I have mentioned the script is a bit lacking. You can't help but ham up a roles a little, which makes it all the more entertaining.  The plot is the usual Agatha Christie, in the first Act anybody could be the murderer and anyone could be the one being murdered. All the characters seem to have secrets which they don't want people to know.   There is the eccentric old lady who is travelling with her niece.  Has the niece had all she can take with being bossed around? Then there is the young couple on their honeymoon, will the husband kill her for her money, will the sad ex-lover kill for revenge or will the maid be the killer?  Will William turn out to be the murderer as he reveals who he really is? Then Act II opens with the murder,  but who is the killer? Why were they killed?  Well all is revealed at the end.  You have enough people to choose from with fourteen characters and twelve actors. 
The whole play is set on a boat on the Nile. The staging gives you all you need to be able to image where you are. The Genesian Theatre is a piece of Sydney history itself. It is well worth a night out so check out Murder on the Nile at www.genesiantheatre.com.au

Interview with Con Costi

Con is a young director with big ambitions. He is currently directing The Merchant of Venice. Find out more about this production and Con's love of theatre.

Listen to Con's interview on Triple H 100.1fm on The Hubbub

(please note the link will become inactive in about 3 months time, call 02 99403649 if you would like to listen)