Review originally posted at www.suzygoessee.com
Venue: King Street Theatre (Newtown NSW), Mar 13 – 22, 2013
Playwright: Jack Hibberd
Director: Darcy Green
Actors: Darcy Green, Louis Green, Ashleigh O’Brien, Phillip Ross,
Alixandra Kupcik, Adam Delaunay, Anna Dooley, Julian Ramundi, Connor
Luck, Annie Schofield, Kimberly Kelly, Zoe Tidemann, Letitia Sutherland,
Tim Mathews, Michael Yore, Cameron Hutt
Theatre review
Jack Hibberd’s Dimboola is a play written with the metaphysical “fourth wall” completely removed. The audience’s presence is always acknowledged and whenever possible, characters are made to involve us in their story. In Epicentre Theatre’s production, even lighting design embraces the concept, with the entire theatre lit a bright white, and house lights are never turned off so that we are all conscious about being part of the onstage action.
Darcy Green’s direction pays tribute to 1970s Australia, with visual design aspects made to look very close to the 1979 film version, and actors determined to take us on a time travel expedition in which references to 2014 are strictly forbidden. What results is an experience that is unique, if a little bizarre. The humour is broad and old-fashioned. Under the guise of a country town wedding reception, the setting is relentlessly drunken and raucous. The air of wild disarray is successfully created by the uniformly strong cast, but some jokes and plot lines do get lost amidst the bedlam.
Adam Delaunay plays Angus with gleeful exaggeration, in a style that is reminiscent of villains in pantomimes. We don’t hear very much of what he has to say but his physical work is impressive and certainly attention grabbing. Anna Dooley as Florrie has some of the funniest facial expressions one can hope to encounter in the flesh. Her fight scene in particular is uproarious, and the most memorable moment in the show. Annie Schofield is hilarious as Shirl, playing up her character’s parochialism to great effect. It is a big and noisy crowd at the party, but Schofield works enough magic to stand out, with a characterisation that can be described as, well, a bloody ripper.
This work is an oddity. It is an interesting observational study of one aspect of our identity from a time past, so the audience does view it from a detached (and ironic) distance. We watch the nostalgia, but do not always find ourselves deeply immersed in it. Perhaps an update might improve the experience. Dimboola shows how we feel about ourselves when we are not at our best. The show is cheerful, forgiving and delirious, much like how we often think of each other.
www.epicentretheatre.org.au
Showing posts with label Epicentre Theatre Company. Show all posts
Showing posts with label Epicentre Theatre Company. Show all posts
Thursday, 10 April 2014
Tuesday, 26 June 2012
Accidental Death of an Anarchist
Written by Dario Fo
Presented by Epicentre Theatre Company at
Zenith Theatre, Chatswood
Directed by Constantine and Michael Costi
Reviewed
by Catherine Hollyman
This was always going to be a difficult sell
for me given I’m not the biggest fan of slapstick theatre. For those who are
though, this is a slick production full of quick-witted dialogue,
well-choreographed ‘routines’, and laughs aplenty. The applause at the end of
the show was rapturous and rightly so.
Directors and brothers Constantine and Michael
Costi have obviously worked hard to finesse every minute detail. In some parts,
this choreography gave way to depth of performance as you could see the actors thinking
about where they were standing and had to be next, rather than being ‘in the
moment’. But in the main, the timing was spot on and the pace of the
performance kept up with the frenzy of Dario Fo’s writing which firmly falls
into the ‘blink and you’ll miss it’ category.
Like any good absurdist play, you’ll often
find yourself asking what on earth is going on. Don’t dwell on it too much
though – as quickly as things go off on a tangent, they are shaken up and fall
back down again in a surprising logical ludicrousness. This is often thanks to
the deadpan one-liners and facial expressions of the naive Constable, played by
Stephen Lloyd Coombs and definitely the standout of the evening for me.
Booking Information
Dates:Weds 27th, Thurs 28th, Fri 29th,
Sat 30th
Venue: Reginald Theatre @ Seymour Centre
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